{"id":267804,"date":"2025-11-07T14:00:52","date_gmt":"2025-11-07T03:00:52","guid":{"rendered":"https:\/\/www.russh.com\/?p=267804"},"modified":"2025-11-20T13:54:30","modified_gmt":"2025-11-20T02:54:30","slug":"fujifilm-27-frames-project","status":"publish","type":"post","link":"https:\/\/www.russh.com\/fujifilm-27-frames-project\/","title":{"rendered":"27 frames with Alix Higgins, Ari Kiko and Daniel Temesgen"},"content":{"rendered":"

In partnership with Fujifilm<\/em><\/p>\n

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There\u2019s something magical about the constraint of a disposable camera. Twenty-seven frames, no retakes, no edits. Just the world as it is, and the moments you choose to keep. In an age of endless scrolling and instant previews, that feels almost like a luxury \u2013the chance to slow down, to not look twice, and to decide what truly matters.<\/p>\n

For Fujifilm Australia\u2019s 27 Frames<\/em> project, we handed a QuickSnap camera to three of our favourite creative minds \u2013 fashion designer Alix Higgins<\/a>, DJ and Kiko Vintage founder Ari Kiko<\/a>, and photographer and director Daniel Temesgen \u2013 and asked them to tell their story in just 27 shots. What emerged was part photo diary, part love letter to memory itself.<\/p>\n

Higgins embraced the blur and softness, finding freedom in imperfection. Kiko reflected on the strange beauty of disposability, and how film has the power to colour memory in ways digital can\u2019t. And Temesgen leaned into nostalgia, rediscovering gratitude in familiar faces and spaces. Each roll is intimate, imperfect, and utterly their own \u2013 a portrait not just of what they saw, but of how they chose to live in the moment.<\/p>\n

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Alix Higgins<\/h3>\n\n
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